Mining - Fine Art Prints of Historical Photos

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  1. A Family Visits Their Mine

    A Family Visits Their Mine - c. 1905

    $25.00 As low as: $4.00

    Visiting Dad at his workplace is not a new idea, as shown by this hundred-year-old photo of a wife and children visiting these two men at their mine. Learn More
  2. Assembling a Steam Gold Dredge, Eastern Oregon - Hazeltine

    Assembling a Steam Gold Dredge, Eastern Oregon - c. 1900

    $25.00 As low as: $4.00

    This large steam-powered gold dredge is under construction on an unidentified river somewhere in eastern Oregon, probably near Baker City, where photographer Martin Hazeltine operated his studio. Learn More
  3. Bonanza Gold Mines and Hoisting Plant - Cowden

    Bonanza Gold Mines and Hoisting Plant - c. 1903

    $25.00 As low as: $4.00

    The Bonanza Gold Mine was the largest and probably the most valuable free gold mine in the Pacific Northwest. It was located on the ridge north of Geiser Creek, about five miles east of Greenhorn in Baker County. Learn More
  4. Deschutes River at Twin Crossings - Weister

    Deschutes River at Twin Crossings - circa 1910

    $25.00 As low as: $4.00

    Construction has just begun for the south railroad trestle across the Deschutes at Milepost 44, north of Sherars Falls. Learn More

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Location
  1. Baker County (1)
  2. Sherman County (1)
  3. Wasco County (1)
  4. Wheeler County (1)
  5. Unknown Oregon (1)
  6. Washington State (1)
Subject
  1. Bridges and Trestles (1)
  2. Canyons, Gorges and Valleys (1)
  3. Construction (1)
  4. Mining (4)
  5. Rivers and Streams (1)
Decade
  1. 1900s (3)
  2. 1910s (1)
Photographer
  1. John W. Cowden (1)
  2. Martin M. Hazeltine (1)
  3. George M. Weister (1)
  4. Unknown (1)
Recently Viewed

  1. The Belle of the Yakimas - 1899

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© 2009-2018, All Rights Reserved, by Old Oregon, 1296 12th St, West Linn, OR 97068, 503-504-5423**
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago; I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
Ansel Adams